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Parts
of the piece
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That
a peece of Ordnance is divided into three parts.
1. The Breech,
or chamber,
2. The Trunions,
3. The Muzzle, or neck and the length of the whole peece is called
the chase or colume.
A. Is the Cornish,
brow, or base ring of the peece.
B. Is the peece's neck.
C. The peeces Boutill, or astragull called the mussel ring.
D. The reinforced ring.
E. The trunion ring and the two tronions.
F. The Casacabel, or the outmost pommel or button of the peece.
G. Dolphins.
H. Touch-hole.
After H.
Hexham's "Principles of the Art of Militarie" 1639
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Loading the piece
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Petard blowing a gate
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Artillery
crew
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The
gunners illustrated include 2 members of a gun team, one wearing an
old 'cabasset' helmet and bearing a rammer, and the other with a knitted
woolen cap and carrying a ladle used for transferring powder from
the 'budge-barrel' into the muzzle of the piece. Powder-barrels were
lined with fabric or leather, enabling the top to be drawn together;
and banded with rope rather than iron.
The gunner in the foreground carries a 'linstock', which holds the
burning slow-match, used to ignite the priming powder in the touch-hole.
The spiked or tapered foot allows the linstock to be stuck in the
ground while the gun captain directs the laying out of the gun.
After "The
English Civil War" by Philip Haythornthwaite
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The following
pictures illustrate some of the guns and gunners (both come in a
variety of sizes) of the English Civil War Society. The large pieces
are the biggest that would have accompanied the army, anything bigger
would have been with the Artillery Train. According to one gunner
of the period, the whole point of the army was to get the artillery
from A to B.
Points
to note: The lack of uniform among the gunners. Regimental
guns positioned outside the musket block. Flames coming from the
touch-hole. A 'cannon' is a specific type of gun. Swords,
if carried, tend to be short 'hangers', so as not to get in the
way of the work. Regimental gunners could carry premade charges
in leather 'snapsacks' (satchels). Due to the manufacturing process,
each gun is unique.
These photos
are from Ken & Denise Guest's "British
Battles" - a worthwhile book filled with photographs of
re-enactors.
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Andy
Kurdzeil + Phil Wall with Barak [not Rob Jones]
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Regimental guns by Rossiters
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Loading
Raven
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Raven
fires
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Roger
Emmerson showing
why the linstock is used!
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Clothes quickly pick up the smell of sulphur |
Pictures from
my scrap album.
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Loading Raven (Gosport '89)
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Firing Raven (Gosport '89) |
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The
official postcard of Raven's first outing
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Raven at Harlow ('91) |

Rob 'n' Angus
Konstam
posing with Raven
(Powderham Castle '91) |

Rob loading Raven
(Powderham Castle '91) |

Heavy artillery (Helmsley '94) |

Raven firing at night - we were supporting
a performance of the 1812 Overture
(Powderham Castle '91) |

Fenwick's saker firing (Helmsley '94) |

Grasshopper (Tatton Park '94) |

Light artillery by Colquhoun's
(Aldershot '91) |

Artillery reloading and repositioning (Aldershot
'92) |

Heavy
artillery by Colqhoun's and Hazzards (Aldershot '91) |

Light artillery (Hull '92) |

Artillery line-up at Gosport (1989) |

Richard Duthie at Hull, 1992 |

Guns at Tatton Park, Cheshire (April 1994) |

Duncan, Speed and Jammy at Upnor Castle in
Kent (June 1989). To the right of us is a wall gun. |

Painting of 30 Year War Artillery
by Pieter Meulner |

Gun carriage from the Tower of London |

One of my early commands
(Yeovil '92) |
Reconstructed
guns from the Swedish ship, the Wasa, of 1628. Note the
gun tools - a ladle, sponge, and rammer; the piece itself fired
a 24 pound shot.
From Peter
Padfield's "Guns at Sea" - an interesting history of naval
firepower up to WW2.
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